PMH/Afraid of technology?: Major label response to advancements in digital technology

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How to Cite: Furgason, A. (2009). Afraid of technology? Major label response to advancements in digital technology. Popular Music History, 3(2), 149-170. https://doi.org/10.1558/pomh.v3i2.149

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Advancements in media technologies have had a profound impact on the production and distribution of recorded music. Digital audio editing technology such as Pro Tools and Audicy have allowed for cheaper and faster production of recorded music. The distribution of music has also been impacted by technological advancements (MP3s and peer-to-peer networks) which allow for faster and cheaper distribution of recorded material via the Internet. While these technologies were seen as an avenue to revolutionize the production and distribution of recorded music, recording industry stalwarts (consolidated major labels) were less than enthusiastic about the advancements. The major labels were concerned about the possible economic implications of the change on their business models.

This article examines the response of the consolidated major labels to the new technological improvements via the ‘Stages in Media Institution Responses to New Technologies’, posited by Napoli (1998). The model notes that there are four distinct institutional responses to technological advancements: complacency, resistance, differentiation and diversification. The results of the essay highlight the response of the major labels as they moved through each stage of the model and the impact of their response on labels, artists and the consumers of popular music.

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  • type
    Image
  • created on
  • file format
    jpg
  • file size
    11 KB
  • container title
    Popular Music History
  • creator
    Aaron Furgason
  • issn
    1743-1646 (Online)
  • issue
    3.2
  • publisher
    Equinox Publishing Ltd.
  • publisher place
    Sheffield, United Kingdom
  • rights holder
    Equinox Publishing Ltd.
  • doi