Evans & Hayward/Sounding Funny, 4. Parody, Self-Parody and Genre-Parody: Music in The Magnificent Seven and ¡Three Amigos!

Resource added
How to Cite: Heine, Erik. Parody, Self-Parody and Genre-Parody: Music in The Magnificent Seven and ¡Three Amigos!. Sounding Funny - Sound and Comedy Cinema. Equinox eBooks Publishing, United Kingdom. p. 51-73 Jan 2016. ISBN 9781845536749.

Full description

The chapter investigates how composer Elmer Bernstein took elements from his famous score for The Magnificent Seven and reused and reworked them into his score for the Western comedy ¡Three Amigos! Although much of his music is “straight,” Bernstein did compose cues intended to be humorous, in order to highlight the absurdity of the on-screen image. He also reworked a love theme cue from The Magnificent Seven into something entirely different in ¡Three Amigos!, again emphasizing the absurdity of the on-screen image. Composer Randy Newman contributed songs to the film as well. When the Amigos sing and dance, it demonstrates that they are entertainers, not gunfighters, and Bernstein’s score propels them to fulfill their movie roles in real life.

  • type
    Image
  • created on
  • file format
    jpg
  • file size
    24 KB
  • container title
    Sounding Funny: Sound and Comedy Cinema
  • creator
    Erik Heine
  • isbn
    9781781792766 (eBook)
  • publisher
    Equinox Publishing Ltd.
  • publisher place
    Sheffield, United Kingdom
  • rights
    Equinox Publishing Ltd.
  • series title
    Genre, Music and Sound
  • doi