2026 Pricelist in Preparation

Trials are Available

To request a trial, contact Ailsa Parkin, aparkin@equinoxpub.com

Our music journal package of five titles is available alone or bundled with our book collection for a higher discount (55%). It comprises:

Jazz Research Journal
This journal has been publishing since 2004 (originally under the title: The Source: Challenging Jazz Criticism. The journal aims to represent a range of disciplinary perspectives on jazz, from ethnography to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, it challenges traditional approaches to jazz and encourages writings that engage with jazz as a discursive practice.

Journal of Film Music
is a well-established forum for the musicological study of film from the standpoint of dramatic musical art. The analytical tools and methodologies of historical, systematic, cognitive, and ethnomusicology all are relevant and essential to this journal which aims to both document and illuminate film practice through source studies, analysis, theory, and criticism.

Journal of World Popular Music
The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics.

Perfect Beat
Perfect Beat first appeared in July 1992 and has been published by Equinox since 2009. As befits a journal originating in Australia, the journal specializes in the popular music of the 'Pacific rim' and includes historical and contemporary studies with contributions invited from popular music studies, musicology, cultural studies and ethnomusicological perspectives.

Popular Music History
Founded in 2004 by the late Dave Laing, this journal publishes original historical and historiographical research that draws on the wide range of disciplines and intellectual trajectories that have contributed to the establishment of popular music studies as a recognized academic enterprise.In addition to the reviews section, a distinctive feature of the journal is its section on Resources. Resources re-publishes articles of historical importance that have become difficult to find or unjustifiably obscure, report on archives, museums and scholarly collections of particular importance to writing popular music history, and serve as a forum for the discussion of issues of special interest to popular music histories.