Hayward/Terror Tracks, 11. Scary Movies, Scary Music: Uses and Unities of Heavy Metal in the Contemporary Horror Film

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How to Cite: Barron, Lee; Inglis, Ian. Scary Movies, Scary Music: Uses and Unities of Heavy Metal in the Contemporary Horror Film. Terror Tracks - Music, Sound and Horror Cinema. Equinox eBooks Publishing, United Kingdom. p. 186 - 197 Jul 2009. ISBN 9781845532024.

Full description

One of the most profound developments in strategies of scoring films since the introduction of sound to cinema emerged in the 1970s, when the perennial reliance on the creation of a new, freshly composed, 'classical' film score began to be challenged by a preference for utilizing already existing (popular) musical sources. this chapter looks at the use of Heavy Metal in contemporary films, showing how It is, that music's ability to provide 'a demonic presence' that has made it such a suitable partner for the horror movie.

  • type
    Image
  • created on
  • file format
    jpg
  • file size
    47 KB
  • container title
    Terror Tracks: Music, Sound and Horror Cinema
  • creator
    Lee Barron; Ian Inglis
  • isbn
    9781845537302 (eBook)
  • publisher
    Equinox Publishing Ltd.
  • publisher place
    Sheffield, United Kingdom
  • rights
    Equinox Publishing Ltd.
  • series title
    Genre, Music and Sound
  • doi