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Hayward/Terror Tracks, 11. Scary Movies, Scary Music: Uses and Unities of Heavy Metal in the Contemporary Horror Film

How to Cite:
Barron, Lee; Inglis, Ian. Scary Movies, Scary Music: Uses and Unities of Heavy Metal in the Contemporary Horror Film. Terror Tracks - Music, Sound and Horror Cinema. Equinox eBooks Publishing, United Kingdom. p. 186 - 197 Jul 2009. ISBN 9781845532024.
Full description
One of the most profound developments in strategies of scoring films since the introduction of sound to cinema emerged in the 1970s, when the perennial reliance on the creation of a new, freshly composed, 'classical' film score began to be challenged by a preference for utilizing already existing (popular) musical sources. this chapter looks at the use of Heavy Metal in contemporary films, showing how It is, that music's ability to provide 'a demonic presence' that has made it such a suitable partner for the horror movie.
- typeImage
- created on
- file formatjpg
- file size47 KB
- container titleTerror Tracks: Music, Sound and Horror Cinema
- creatorLee Barron; Ian Inglis
- isbn9781845537302 (eBook)
- publisherEquinox Publishing Ltd.
- publisher placeSheffield, United Kingdom
- rightsEquinox Publishing Ltd.
- series titleGenre, Music and Sound
- doi
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