The Rosary and the Microphone

Religious Impulse in U2's Mediated Brand

by Nicholas P. Greco, Providence University College, Canada

COLLECTIONS:
Christianity
Complete Collection
Encounters & Identities: Religion in Private and Public Spheres

The Rosary and the Microphone explores U2 as a politically engaged band that manifests a particular brand of Christianity through the band’s mediation in a global context and for a global audience.

Through the primarily semiotic study of U2’s various mediations, this book maps the band’s strategies for negotiating its place in the world as a global band — and a mediated brand — and as a proponent of a kind of cosmopolitanism, or global care. U2’s brand is heavily informed by Bono’s own personal religious formation. This religious viewpoint is expressed in a global concern — a Christian cosmopolitanism — that looks outward and urges others to do the same.

ACCESS
This book is included in the Christianity and Complete, Encounters & Identities Collections. Subscribers can access the eBook from the Read Online tab.

Information

Author Information

    • This text has 0 annotations
    • This text has 0 highlights

Book Information

    • This text has 0 annotations
    • This text has 0 highlights
    • This text has 0 annotations
    • This text has 0 highlights

Metadata